Ebook: A Companion to Alfred Hitchcock
- Year: 2011
- Publisher: Wiley-Blackwell
- Language: English
- pdf
- Contains thirty chapters by the leading Hitchcock scholars
- Covers his long career, from his earliest contributions to other directors’ silent films to his last uncompleted last film
- Details the enduring legacy he left to filmmakers and audiences alike
Content:
Chapter 1 Hitchcock's Lives (pages 9–27): Thomas Leitch
Chapter 2 Hitchcock's Literary Sources (pages 28–47): Ken Mogg
Chapter 3 Hitchcock and Early Filmmakers (pages 48–66): Charles Barr
Chapter 4 Hitchcock's Narrative Modernism: Ironies of Fictional Time (pages 67–85): Thomas Hemmeter
Chapter 5 Hitchcock and Romance (pages 87–108): Lesley Brill
Chapter 6 Family Plots: Hitchcock and Melodrama (pages 109–125): Richard R. Ness
Chapter 7 Conceptual Suspense in Hitchcock's Films (pages 126–137): Paula Marantz Cohen
Chapter 8 “Tell Me the Story So Far”: Hitchcock and His Writers (pages 139–161): Leland Poague
Chapter 9 Suspicion: Collusion and Resistance in the Work of Hitchcock's Female Collaborators (pages 162–180): Tania Modleski
Chapter 10 A Surface Collaboration: Hitchcock and Performance (pages 181–197): Susan White
Chapter 11 Aesthetic Space in Hitchcock (pages 199–218): Brigitte Peucker
Chapter 12 Hitchcock and Music (pages 219–236): Jack Sullivan
Chapter 13 Some Hitchcockian Shots (pages 237–252): Murray Pomerance
Chapter 14 Hitchcock's Silent Cinema (pages 253–269): Sidney Gottlieb
Chapter 15 Gaumont Hitchcock (pages 270–288): Tom Ryall
Chapter 16 Hitchcock Discovers America: The Selznick?Era Films (pages 289–308): Ina Rae Hark
Chapter 17 From Transatlantic to Warner Bros (pages 309–328): David Sterritt
Chapter 18 Hitchcock, Metteur?En?Scene: 1954–60 (pages 329–346): Joe McElhaney
Chapter 19 The Universal Hitchcock (pages 347–364): William Rothman
Chapter 20 French Hitchcock, 1945–55 (pages 365–386): James M. Vest
Chapter 21 Lost in Translation? Listening to the Hitchcock–Truffaut Interview (pages 387–404): Janet Bergstrom
Chapter 23 Accidental Heroes and Gifted Amateurs: Hitchcock and Ideology (pages 425–451): Toby Miller and Noel King
Chapter 24 Hitchcock and Feminist Criticism: From Rebecca to Marnie (pages 452–472): Florence Jacobowitz
Chapter 25 Queer Hitchcock (pages 473–489): Alexander Doty
Chapter 26 Hitchcock and Philosophy (pages 491–507): Richard Gilmore
Chapter 27 Hitchcock's Ethics of Suspense: Psychoanalysis and the Devaluation of the Object (pages 508–528): Todd McGowan
Chapter 28 Occasions of Sin: The Forgotten Cigarette Lighter and Other Moral Accidents in Hitchcock (pages 529–552): George Toles
Chapter 29 Hitchcock and the Postmodern (pages 553–571): Angelo Restivo
Chapter 30 Hitchcock's Legacy (pages 572–591): Richard Allen