Ebook: Music Business and the Experience Economy: The Australasian Case
- Tags: Media Management, Music, Regional and Cultural Studies, Cultural Management, Law and Economics, e-Commerce/e-business
- Year: 2013
- Publisher: Springer-Verlag Berlin Heidelberg
- Edition: 1
- Language: English
- pdf
Music Business and the Experience Economy is the first book on the music business in Australasia from an academic perspective. In a cross-disciplinary approach, the contributions deal with a wide-range of topics concerning the production, distribution and consumption of music in the digital age. The interrelationship of legal, aesthetic and economic aspects in the production of music in Australasia is also highlighted as well as the emergence of new business models, the role of P2P file sharing, and the live music sector. In addition, the impact of the digital revolution on music experience and valuation, the role of music for tourism and for branding, and last but not least the developments of higher music education, are discussed from different perspectives.
Music Business and the Experience Economy is the first book on the music business in Australasia from an academic perspective. In a cross-disciplinary approach, the contributions deal with a wide-range of topics concerning the production, distribution and consumption of music in the digital age. The interrelationship of legal, aesthetic and economic aspects in the production of music in Australasia is also highlighted as well as the emergence of new business models, the role of P2P file sharing, and the live music sector. In addition, the impact of the digital revolution on music experience and valuation, the role of music for tourism and for branding, and last but not least the developments of higher music education, are discussed from different perspectives.
Music Business and the Experience Economy is the first book on the music business in Australasia from an academic perspective. In a cross-disciplinary approach, the contributions deal with a wide-range of topics concerning the production, distribution and consumption of music in the digital age. The interrelationship of legal, aesthetic and economic aspects in the production of music in Australasia is also highlighted as well as the emergence of new business models, the role of P2P file sharing, and the live music sector. In addition, the impact of the digital revolution on music experience and valuation, the role of music for tourism and for branding, and last but not least the developments of higher music education, are discussed from different perspectives.
Content:
Front Matter....Pages i-ix
From Discord to Harmony: Connecting Australian Music and Business Through the Experience Economy....Pages 1-9
Australian Copyright Regimes and Political Economy of Music....Pages 11-26
New Music Production Modes and Indigenous Music in North Queensland and the Torres Strait....Pages 27-40
Australian Independent Music and the Experience Economy....Pages 41-57
Recorded Music Sales and Music Licencing in Australia, 2000–2011....Pages 59-77
P2P File-Sharing: How Does Music File-Sharing Affect Recorded Music Sales in Australia?....Pages 79-97
Digital Distribution Models Reviewed: The Content Provider’s Perspective....Pages 99-117
The Landscape of Music Festivals in Australia....Pages 119-134
The Influence of Dirty Pool on the Australian Live Music Industry: A Case Study of Boy & Bear....Pages 135-152
Building Brands with Music: Australian Cases....Pages 153-174
Australian Music and Aussie Team Sports: How the Experience Economy and the Score Interact....Pages 175-188
The Valuation of Music in Australia: A Chart Analysis 1988–2011....Pages 189-214
Enterprise Learning in Australasian Tertiary Music Education: The Status Quo....Pages 215-229
Music Business and the Experience Economy is the first book on the music business in Australasia from an academic perspective. In a cross-disciplinary approach, the contributions deal with a wide-range of topics concerning the production, distribution and consumption of music in the digital age. The interrelationship of legal, aesthetic and economic aspects in the production of music in Australasia is also highlighted as well as the emergence of new business models, the role of P2P file sharing, and the live music sector. In addition, the impact of the digital revolution on music experience and valuation, the role of music for tourism and for branding, and last but not least the developments of higher music education, are discussed from different perspectives.
Content:
Front Matter....Pages i-ix
From Discord to Harmony: Connecting Australian Music and Business Through the Experience Economy....Pages 1-9
Australian Copyright Regimes and Political Economy of Music....Pages 11-26
New Music Production Modes and Indigenous Music in North Queensland and the Torres Strait....Pages 27-40
Australian Independent Music and the Experience Economy....Pages 41-57
Recorded Music Sales and Music Licencing in Australia, 2000–2011....Pages 59-77
P2P File-Sharing: How Does Music File-Sharing Affect Recorded Music Sales in Australia?....Pages 79-97
Digital Distribution Models Reviewed: The Content Provider’s Perspective....Pages 99-117
The Landscape of Music Festivals in Australia....Pages 119-134
The Influence of Dirty Pool on the Australian Live Music Industry: A Case Study of Boy & Bear....Pages 135-152
Building Brands with Music: Australian Cases....Pages 153-174
Australian Music and Aussie Team Sports: How the Experience Economy and the Score Interact....Pages 175-188
The Valuation of Music in Australia: A Chart Analysis 1988–2011....Pages 189-214
Enterprise Learning in Australasian Tertiary Music Education: The Status Quo....Pages 215-229
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