Ebook: Music and Human-Computer Interaction
- Tags: User Interfaces and Human Computer Interaction, Computer Appl. in Arts and Humanities, Computers and Education, Special Purpose and Application-Based Systems, Personal Computing, Computers and Society
- Series: Springer Series on Cultural Computing
- Year: 2013
- Publisher: Springer-Verlag London
- Edition: 1
- Language: English
- pdf
This agenda-setting book presents state of the art research in Music and Human-Computer Interaction (also known as ‘Music Interaction’). Music Interaction research is at an exciting and formative stage. Topics discussed include interactive music systems, digital and virtual musical instruments, theories, methodologies and technologies for Music Interaction. Musical activities covered include composition, performance, improvisation, analysis, live coding, and collaborative music making. Innovative approaches to existing musical activities are explored, as well as tools that make new kinds of musical activity possible. Music and Human-Computer Interaction is stimulating reading for professionals and enthusiasts alike: researchers, musicians, interactive music system designers, music software developers, educators, and those seeking deeper involvement in music interaction. It presents the very latest research, discusses fundamental ideas, and identifies key issues and directions for future work.
This agenda-setting book presents state of the art research in Music and Human-Computer Interaction (also known as ‘Music Interaction’). Music Interaction research is at an exciting and formative stage. Topics discussed include interactive music systems, digital and virtual musical instruments, theories, methodologies and technologies for Music Interaction. Musical activities covered include composition, performance, improvisation, analysis, live coding, and collaborative music making. Innovative approaches to existing musical activities are explored, as well as tools that make new kinds of musical activity possible. Music and Human-Computer Interaction is stimulating reading for professionals and enthusiasts alike: researchers, musicians, interactive music system designers, music software developers, educators, and those seeking deeper involvement in music interaction. It presents the very latest research, discusses fundamental ideas, and identifies key issues and directions for future work.
This agenda-setting book presents state of the art research in Music and Human-Computer Interaction (also known as ‘Music Interaction’). Music Interaction research is at an exciting and formative stage. Topics discussed include interactive music systems, digital and virtual musical instruments, theories, methodologies and technologies for Music Interaction. Musical activities covered include composition, performance, improvisation, analysis, live coding, and collaborative music making. Innovative approaches to existing musical activities are explored, as well as tools that make new kinds of musical activity possible. Music and Human-Computer Interaction is stimulating reading for professionals and enthusiasts alike: researchers, musicians, interactive music system designers, music software developers, educators, and those seeking deeper involvement in music interaction. It presents the very latest research, discusses fundamental ideas, and identifies key issues and directions for future work.
Content:
Front Matter....Pages i-viii
Music Interaction: Understanding Music and Human-Computer Interaction....Pages 1-28
Should Music Interaction Be Easy?....Pages 29-47
Amateur Musicians, Long-Term Engagement, and HCI....Pages 49-66
Affective Musical Interaction: Influencing Users’ Behaviour and Experiences with Music....Pages 67-83
Chasing a Feeling: Experience in Computer Supported Jamming....Pages 85-99
The Haptic Bracelets: Learning Multi-Limb Rhythm Skills from Haptic Stimuli While Reading....Pages 101-122
Piano Technique as a Case Study in Expressive Gestural Interaction....Pages 123-138
Live Music-Making: A Rich Open Task Requires a Rich Open Interface....Pages 139-152
A New Interaction Strategy for Musical Timbre Design....Pages 153-169
Pulsed Melodic Processing – The Use of Melodies in Affective Computations for Increased Processing Transparency....Pages 171-188
Computer Musicking: HCI, CSCW and Collaborative Digital Musical Interaction....Pages 189-205
Song Walker Harmony Space: Embodied Interaction Design for Complex Musical Skills....Pages 207-221
Evolutionary and Generative Music Informs Music HCI—And Vice Versa ....Pages 223-240
Video Analysis for Evaluating Music Interaction: Musical Tabletops....Pages 241-258
Towards a Participatory Approach for Interaction Design Based on Conceptual Metaphor Theory: A Case Study from Music Interaction....Pages 259-270
Appropriate and Complementary Rhythmic Improvisation in an Interactive Music System....Pages 271-286
Back Matter....Pages 287-292
This agenda-setting book presents state of the art research in Music and Human-Computer Interaction (also known as ‘Music Interaction’). Music Interaction research is at an exciting and formative stage. Topics discussed include interactive music systems, digital and virtual musical instruments, theories, methodologies and technologies for Music Interaction. Musical activities covered include composition, performance, improvisation, analysis, live coding, and collaborative music making. Innovative approaches to existing musical activities are explored, as well as tools that make new kinds of musical activity possible. Music and Human-Computer Interaction is stimulating reading for professionals and enthusiasts alike: researchers, musicians, interactive music system designers, music software developers, educators, and those seeking deeper involvement in music interaction. It presents the very latest research, discusses fundamental ideas, and identifies key issues and directions for future work.
Content:
Front Matter....Pages i-viii
Music Interaction: Understanding Music and Human-Computer Interaction....Pages 1-28
Should Music Interaction Be Easy?....Pages 29-47
Amateur Musicians, Long-Term Engagement, and HCI....Pages 49-66
Affective Musical Interaction: Influencing Users’ Behaviour and Experiences with Music....Pages 67-83
Chasing a Feeling: Experience in Computer Supported Jamming....Pages 85-99
The Haptic Bracelets: Learning Multi-Limb Rhythm Skills from Haptic Stimuli While Reading....Pages 101-122
Piano Technique as a Case Study in Expressive Gestural Interaction....Pages 123-138
Live Music-Making: A Rich Open Task Requires a Rich Open Interface....Pages 139-152
A New Interaction Strategy for Musical Timbre Design....Pages 153-169
Pulsed Melodic Processing – The Use of Melodies in Affective Computations for Increased Processing Transparency....Pages 171-188
Computer Musicking: HCI, CSCW and Collaborative Digital Musical Interaction....Pages 189-205
Song Walker Harmony Space: Embodied Interaction Design for Complex Musical Skills....Pages 207-221
Evolutionary and Generative Music Informs Music HCI—And Vice Versa ....Pages 223-240
Video Analysis for Evaluating Music Interaction: Musical Tabletops....Pages 241-258
Towards a Participatory Approach for Interaction Design Based on Conceptual Metaphor Theory: A Case Study from Music Interaction....Pages 259-270
Appropriate and Complementary Rhythmic Improvisation in an Interactive Music System....Pages 271-286
Back Matter....Pages 287-292
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