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This book constitutes the thoroughly refereed proceedings of the Fourth International Conference on Mathematics and Computation in Music, MCM 2013, held in Montreal, Canada, in June 2013. The 18 papers presented were carefully reviewed and selected from numerous submissions. They are promoting the collaboration and exchange of ideas among researchers in music theory, mathematics, computer science, musicology, cognition and other related fields.




This book constitutes the thoroughly refereed proceedings of the Fourth International Conference on Mathematics and Computation in Music, MCM 2013, held in Montreal, Canada, in June 2013. The 18 papers presented were carefully reviewed and selected from numerous submissions. They are promoting the collaboration and exchange of ideas among researchers in music theory, mathematics, computer science, musicology, cognition and other related fields.


This book constitutes the thoroughly refereed proceedings of the Fourth International Conference on Mathematics and Computation in Music, MCM 2013, held in Montreal, Canada, in June 2013. The 18 papers presented were carefully reviewed and selected from numerous submissions. They are promoting the collaboration and exchange of ideas among researchers in music theory, mathematics, computer science, musicology, cognition and other related fields.
Content:
Front Matter....Pages -
The Torii of Phases....Pages 1-18
Towards a Categorical Theory of Creativity for Music, Discourse, and Cognition....Pages 19-37
Computation and Visualization of Musical Structures in Chord-Based Simplicial Complexes....Pages 38-51
Compositional Data Analysis of Harmonic Structures in Popular Music....Pages 52-63
Sturmian Canons....Pages 64-75
Conceptual and Experiential Representations of Tempo: Effects on Expressive Performance Comparisons....Pages 76-87
Maximal Translational Equivalence Classes of Musical Patterns in Point-Set Representations....Pages 88-99
Incorporating Voice Permutations into the Theory of Neo-Riemannian Groups and Lewinian Duality....Pages 100-114
Key Induction and Key Mapping Using Pitch-Class Set Assertions....Pages 115-127
The Structure of Z-Related Sets....Pages 128-137
Hypergesture Homology for Performance Stemmata with Lie Operators....Pages 138-150
Glarean’s Dodecachordon Revisited....Pages 151-166
Effects of Temporal Position on Harmonic Succession in the Bach Chorale Corpus....Pages 167-176
A Hypercube-Graph Model for n-Tone Rows and Relations....Pages 177-188
Using Formal Concept Analysisto Represent Chroma Systems....Pages 189-200
An Alphabet-Reduction Algorithm for Chordal n-Grams....Pages 201-212
Evaluation of n-Gram-Based Classification Approaches on Classical Music Corpora....Pages 213-225
The Minkowski Geometry of Numbers Applied to the Theory of Tone Systems....Pages 226-240
Back Matter....Pages -


This book constitutes the thoroughly refereed proceedings of the Fourth International Conference on Mathematics and Computation in Music, MCM 2013, held in Montreal, Canada, in June 2013. The 18 papers presented were carefully reviewed and selected from numerous submissions. They are promoting the collaboration and exchange of ideas among researchers in music theory, mathematics, computer science, musicology, cognition and other related fields.
Content:
Front Matter....Pages -
The Torii of Phases....Pages 1-18
Towards a Categorical Theory of Creativity for Music, Discourse, and Cognition....Pages 19-37
Computation and Visualization of Musical Structures in Chord-Based Simplicial Complexes....Pages 38-51
Compositional Data Analysis of Harmonic Structures in Popular Music....Pages 52-63
Sturmian Canons....Pages 64-75
Conceptual and Experiential Representations of Tempo: Effects on Expressive Performance Comparisons....Pages 76-87
Maximal Translational Equivalence Classes of Musical Patterns in Point-Set Representations....Pages 88-99
Incorporating Voice Permutations into the Theory of Neo-Riemannian Groups and Lewinian Duality....Pages 100-114
Key Induction and Key Mapping Using Pitch-Class Set Assertions....Pages 115-127
The Structure of Z-Related Sets....Pages 128-137
Hypergesture Homology for Performance Stemmata with Lie Operators....Pages 138-150
Glarean’s Dodecachordon Revisited....Pages 151-166
Effects of Temporal Position on Harmonic Succession in the Bach Chorale Corpus....Pages 167-176
A Hypercube-Graph Model for n-Tone Rows and Relations....Pages 177-188
Using Formal Concept Analysisto Represent Chroma Systems....Pages 189-200
An Alphabet-Reduction Algorithm for Chordal n-Grams....Pages 201-212
Evaluation of n-Gram-Based Classification Approaches on Classical Music Corpora....Pages 213-225
The Minkowski Geometry of Numbers Applied to the Theory of Tone Systems....Pages 226-240
Back Matter....Pages -
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