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The scientific approach of this book transcends the limits of art literature in that it also develops geometric theories of gestures and distributed identities, also known as swarm intelligence.
We exemplify this approach in the framework of free jazz, which is a prototypical creative and collaborative art form. Leader artists such as John Coltrane, Pharoah Sanders, Cecil Taylor, Sun Ra, The Art Ensemble of Chicago, Albert Ayler, Don Cherry, and Archie Shepp are presented in their strongest works and theories.
The pillars of our theory of collaboration are built from psychologist Mihaly Csikszentmihalyi’s flow, physicist Gilles Châtelet’s gestures, and computer scientist Bill Wulf's collaboratories.




The scientific approach of this book transcends the limits of art literature in that it also develops geometric theories of gestures and distributed identities, also known as swarm intelligence.
We exemplify this approach in the framework of free jazz, which is a prototypical creative and collaborative art form. Leader artists such as John Coltrane, Pharoah Sanders, Cecil Taylor, Sun Ra, The Art Ensemble of Chicago, Albert Ayler, Don Cherry, and Archie Shepp are presented in their strongest works and theories.
The pillars of our theory of collaboration are built from psychologist Mihaly Csikszentmihalyi’s flow, physicist Gilles Ch?telet’s gestures, and computer scientist Bill Wulf's collaboratories.




The scientific approach of this book transcends the limits of art literature in that it also develops geometric theories of gestures and distributed identities, also known as swarm intelligence.
We exemplify this approach in the framework of free jazz, which is a prototypical creative and collaborative art form. Leader artists such as John Coltrane, Pharoah Sanders, Cecil Taylor, Sun Ra, The Art Ensemble of Chicago, Albert Ayler, Don Cherry, and Archie Shepp are presented in their strongest works and theories.
The pillars of our theory of collaboration are built from psychologist Mihaly Csikszentmihalyi’s flow, physicist Gilles Ch?telet’s gestures, and computer scientist Bill Wulf's collaboratories.


Content:
Front Matter....Pages i-xiii
Front Matter....Pages 1-1
What Is Free Jazz?....Pages 3-8
Jazz in Transition....Pages 9-17
Front Matter....Pages 19-19
Out of this World....Pages 21-28
The Art of Collaboration....Pages 29-37
Front Matter....Pages 39-39
Which Collaboratories?....Pages 41-50
The Innards of Time....Pages 51-62
Front Matter....Pages 63-63
Gestures: From Philosophy to Thought Experiments....Pages 65-78
Geometry of Gestures....Pages 79-87
The Escher Theorem and Gestural Creativity in Free Jazz....Pages 89-98
Front Matter....Pages 99-99
What Is Flow?....Pages 101-110
The Symbolic Axis of Distributed Identity....Pages 111-120
Front Matter....Pages 121-121
From Pre-to Postproduction: The Infinite Listening....Pages 123-127
Global Strategies for Free Jazz....Pages 129-131
The Future of Free Jazz....Pages 133-135
Back Matter....Pages 137-141


The scientific approach of this book transcends the limits of art literature in that it also develops geometric theories of gestures and distributed identities, also known as swarm intelligence.
We exemplify this approach in the framework of free jazz, which is a prototypical creative and collaborative art form. Leader artists such as John Coltrane, Pharoah Sanders, Cecil Taylor, Sun Ra, The Art Ensemble of Chicago, Albert Ayler, Don Cherry, and Archie Shepp are presented in their strongest works and theories.
The pillars of our theory of collaboration are built from psychologist Mihaly Csikszentmihalyi’s flow, physicist Gilles Ch?telet’s gestures, and computer scientist Bill Wulf's collaboratories.


Content:
Front Matter....Pages i-xiii
Front Matter....Pages 1-1
What Is Free Jazz?....Pages 3-8
Jazz in Transition....Pages 9-17
Front Matter....Pages 19-19
Out of this World....Pages 21-28
The Art of Collaboration....Pages 29-37
Front Matter....Pages 39-39
Which Collaboratories?....Pages 41-50
The Innards of Time....Pages 51-62
Front Matter....Pages 63-63
Gestures: From Philosophy to Thought Experiments....Pages 65-78
Geometry of Gestures....Pages 79-87
The Escher Theorem and Gestural Creativity in Free Jazz....Pages 89-98
Front Matter....Pages 99-99
What Is Flow?....Pages 101-110
The Symbolic Axis of Distributed Identity....Pages 111-120
Front Matter....Pages 121-121
From Pre-to Postproduction: The Infinite Listening....Pages 123-127
Global Strategies for Free Jazz....Pages 129-131
The Future of Free Jazz....Pages 133-135
Back Matter....Pages 137-141
....
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