Ebook: Arts and Technology: Second International Conference, ArtsIT 2011, Esbjerg, Denmark, December 10-11, 2011, Revised Selected Papers
- Tags: Computer Appl. in Arts and Humanities, Media Design, User Interfaces and Human Computer Interaction, Information Systems Applications (incl. Internet), Music, Performing Arts
- Series: Lecture Notes of the Institute for Computer Sciences Social Informatics and Telecommunications Engineering 101
- Year: 2012
- Publisher: Springer-Verlag Berlin Heidelberg
- Edition: 1
- Language: English
- pdf
This book constitutes the thoroughly refereed post-conference proceedings of the Second International Conference on Arts and Technology, ArtsIT 2011, which was held in December 2011 in Esbjerg, Denmark.
The 19 revised full papers and the two poster papers cover various topics such as Interaction and Art, Music and Performance, and Digital Technology.
This book constitutes the thoroughly refereed post-conference proceedings of the Second International Conference on Arts and Technology, ArtsIT 2011, which was held in December 2011 in Esbjerg, Denmark.
The 19 revised full papers and the two poster papers cover various topics such as Interaction and Art, Music and Performance, and Digital Technology
This book constitutes the thoroughly refereed post-conference proceedings of the Second International Conference on Arts and Technology, ArtsIT 2011, which was held in December 2011 in Esbjerg, Denmark.
The 19 revised full papers and the two poster papers cover various topics such as Interaction and Art, Music and Performance, and Digital Technology
Content:
Front Matter....Pages -
Designing Interaction Though Sound and Movement with Children on the Autistic Spectrum....Pages 1-9
Towards Augmented Choreography....Pages 10-17
At the Bottom of the U: Arts-Based Leadership of Creative Learning Processes in Educators and Social Workers’ Training....Pages 18-28
TenSeconds - A Collaboration Platform for Distributed Action Painting....Pages 29-37
Playfulness and Openness: Reflections on the Design of Learning Technologies....Pages 38-45
Improving L-System Music Rendering Using a Hybrid of Stochastic and Context-Sensitive Grammars in a Visual Language Framework....Pages 46-53
Computer Mediated Visual Communication in Live Musical Performance: What’s the Score?....Pages 54-62
Assistive Technology and Performance Behaviours in Music Improvisation....Pages 63-70
From Network to Research – Ten Years of Music Informatics, Performance and Aesthetics....Pages 71-79
Violin-Related HCI: A Taxonomy Elicited by the Musical Interface Technology Design Space....Pages 80-89
Artistic Rendering of Human Portraits Paying Attention to Facial Features....Pages 90-99
Exploring Micromovements with Motion Capture and Sonification....Pages 100-107
Generating Time-Coherent Animations from Video Data....Pages 108-117
Design and Development of an Interactive Virtual Shadow Puppet Play....Pages 118-126
Interaction Models for Audience-Artwork Interaction: Current State and Future Directions....Pages 127-135
Prime Slaughter: Playful Prime Numbers....Pages 136-144
Text Invader: A Graphic Interference on Semantic Flow....Pages 145-151
Using the Voice to Design Ceramics....Pages 152-159
Numerical Investigation of the Primety of Real Numbers....Pages 160-167
Mobile Game for Virtual Heritage Exploration – MHEX....Pages 168-170
Back Matter....Pages -
Art Evolves through Technology: Haptic after the Hegemony of Visual Art....Pages 171-176
This book constitutes the thoroughly refereed post-conference proceedings of the Second International Conference on Arts and Technology, ArtsIT 2011, which was held in December 2011 in Esbjerg, Denmark.
The 19 revised full papers and the two poster papers cover various topics such as Interaction and Art, Music and Performance, and Digital Technology
Content:
Front Matter....Pages -
Designing Interaction Though Sound and Movement with Children on the Autistic Spectrum....Pages 1-9
Towards Augmented Choreography....Pages 10-17
At the Bottom of the U: Arts-Based Leadership of Creative Learning Processes in Educators and Social Workers’ Training....Pages 18-28
TenSeconds - A Collaboration Platform for Distributed Action Painting....Pages 29-37
Playfulness and Openness: Reflections on the Design of Learning Technologies....Pages 38-45
Improving L-System Music Rendering Using a Hybrid of Stochastic and Context-Sensitive Grammars in a Visual Language Framework....Pages 46-53
Computer Mediated Visual Communication in Live Musical Performance: What’s the Score?....Pages 54-62
Assistive Technology and Performance Behaviours in Music Improvisation....Pages 63-70
From Network to Research – Ten Years of Music Informatics, Performance and Aesthetics....Pages 71-79
Violin-Related HCI: A Taxonomy Elicited by the Musical Interface Technology Design Space....Pages 80-89
Artistic Rendering of Human Portraits Paying Attention to Facial Features....Pages 90-99
Exploring Micromovements with Motion Capture and Sonification....Pages 100-107
Generating Time-Coherent Animations from Video Data....Pages 108-117
Design and Development of an Interactive Virtual Shadow Puppet Play....Pages 118-126
Interaction Models for Audience-Artwork Interaction: Current State and Future Directions....Pages 127-135
Prime Slaughter: Playful Prime Numbers....Pages 136-144
Text Invader: A Graphic Interference on Semantic Flow....Pages 145-151
Using the Voice to Design Ceramics....Pages 152-159
Numerical Investigation of the Primety of Real Numbers....Pages 160-167
Mobile Game for Virtual Heritage Exploration – MHEX....Pages 168-170
Back Matter....Pages -
Art Evolves through Technology: Haptic after the Hegemony of Visual Art....Pages 171-176
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