Ebook: Computer Music Modeling and Retrieval. Sense of Sounds: 4th International Symposium, CMMR 2007, Copenhagen, Denmark, August 27-31, 2007. Revised Papers
- Tags: Information Storage and Retrieval, Information Systems Applications (incl.Internet), Multimedia Information Systems, Database Management, Artificial Intelligence (incl. Robotics), Special Purpose and Application-Based Systems
- Series: Lecture Notes in Computer Science 4969
- Year: 2008
- Publisher: Springer-Verlag Berlin Heidelberg
- Edition: 1
- Language: English
- pdf
This book constitutes the thoroughly refereed post-conference proceedings of the 4th International Computer Music Modeling and Retrieval Symposium, CMMR 2007, held in Copenhagen, Denmark, in August 2007 jointly with the International Computer Music Conference 2007, ICMC 2007.
The 33 revised full papers presented were carefully selected during two rounds of reviewing and improvement. Due to the interdisciplinary nature of the area, the papers address a broad variety of topics in computer science and engineering areas such as information retrieval, programming, human computer interaction, digital libraries, hypermedia, artificial intelligence, acoustics, signal processing, etc. CMMR 2007 has put special focus on the Sense of Sounds from the synthesis and retrieval point of view. This theme is pluridisciplinary by nature and associates the fields of sound modeling by analysis, synthesis, perception and cognition.
This book constitutes the thoroughly refereed post-conference proceedings of the 4th International Computer Music Modeling and Retrieval Symposium, CMMR 2007, held in Copenhagen, Denmark, in August 2007 jointly with the International Computer Music Conference 2007, ICMC 2007.
The 33 revised full papers presented were carefully selected during two rounds of reviewing and improvement. Due to the interdisciplinary nature of the area, the papers address a broad variety of topics in computer science and engineering areas such as information retrieval, programming, human computer interaction, digital libraries, hypermedia, artificial intelligence, acoustics, signal processing, etc. CMMR 2007 has put special focus on the Sense of Sounds from the synthesis and retrieval point of view. This theme is pluridisciplinary by nature and associates the fields of sound modeling by analysis, synthesis, perception and cognition.
This book constitutes the thoroughly refereed post-conference proceedings of the 4th International Computer Music Modeling and Retrieval Symposium, CMMR 2007, held in Copenhagen, Denmark, in August 2007 jointly with the International Computer Music Conference 2007, ICMC 2007.
The 33 revised full papers presented were carefully selected during two rounds of reviewing and improvement. Due to the interdisciplinary nature of the area, the papers address a broad variety of topics in computer science and engineering areas such as information retrieval, programming, human computer interaction, digital libraries, hypermedia, artificial intelligence, acoustics, signal processing, etc. CMMR 2007 has put special focus on the Sense of Sounds from the synthesis and retrieval point of view. This theme is pluridisciplinary by nature and associates the fields of sound modeling by analysis, synthesis, perception and cognition.
Content:
Front Matter....Pages -
Fifty Years of Computer Music: Ideas of the Past Speak to the Future....Pages 1-10
Music Cognition: Learning, Perception, Expectations....Pages 11-33
Capturing Expressive and Indicative Qualities of Conducting Gesture: An Application of Temporal Expectancy Models....Pages 34-55
Musicians Outperform Nonmusicians in Speech Imitation....Pages 56-73
Cognitive Styles and Computer-Based Creativity Support Systems: Two Linked Studies of Electro-acoustic Music Composers....Pages 74-97
The Usability of Music Theory Software: The Analysis of Twelve-Tone Music as a Case Study....Pages 98-109
Understanding Emotion in Raag: An Empirical Study of Listener Responses....Pages 110-124
The Artistic Play of Spatial Organization: Spatial Attributes, Scene Analysis and Auditory Spatial Schemata....Pages 125-138
Semiotics of Sounds Evoking Motions: Categorization and Acoustic Features....Pages 139-158
Exploring Perceptual Based Timbre Feature for Singer Identification....Pages 159-171
Cognitive Implications of Musical Perception....Pages 172-180
A Meta-analysis of Timbre Perception Using Nonlinear Extensions to CLASCAL....Pages 181-202
Real-Time Analysis of Sensory Dissonance....Pages 203-211
Multimodal Design for Enactive Toys....Pages 212-222
Psychoacoustic Manipulation of the Sound-Induced Illusory Flash....Pages 223-234
On Cross-Modal Perception of Musical Tempo and the Speed of Human Movement....Pages 235-245
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance....Pages 246-262
Retrieving and Recreating Musical Form....Pages 263-275
Placement of Sound Sources in the Stereo Field Using Measured Room Impulse Responses....Pages 276-287
Rule-Based Expressive Modifications of Tempo in Polyphonic Audio Recordings....Pages 288-302
Exploring the Perceptual Relevance of Inherent Variability of Drum Sounds....Pages 303-312
Improving Musical Expressiveness by Time-Varying Brightness Shaping....Pages 313-336
NN Music: Improvising with a ‘Living’ Computer....Pages 337-350
A Real-Time Genetic Algorithm in Human-Robot Musical Improvisation....Pages 351-359
A Musical Framework with Swarming Robots....Pages 360-367
Emergent Rhythms through Multi-agency in Max/MSP....Pages 368-379
Experiencing Audio and Music in a Fully Immersive Environment....Pages 380-400
A Network-Based Framework for Collaborative Development and Performance of Digital Musical Instruments....Pages 401-425
The ImmApp: A Digital Application for Immersive Interaction with Sound Art Archives....Pages 426-440
BioTools: A Biosignal Toolbox for Composers and Performers....Pages 441-452
Focus-Plus-Context Audio Interaction Design....Pages 453-477
DECONcert: Making Waves with Water, EEG, and Music....Pages 478-486
Back Matter....Pages 487-505
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