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THE CRAFT OF SCIENTIFIC PRESENTATIONS provides a score of examples from contemporary and historical scientific presentations to show clearly what makes an oral presentation effective. It considers presentations made to persuade an audience to adopt some course of action (such as funding a proposal) as well as presentations made to communicate information, and it considers these from four perspectives: speech, structure, visual aids, and delivery. In keeping with technological innovations, it discusses computer-based projections and slide shows as well as overhead projections. In particular, it discusses ways of organizing graphics and text in projected images and of using layout and design to present the information efficiently and effectively.

Unlike other books that discuss technical presentations, this book anchors its advice in the experiences of scientists and engineers, including such successful presenters as Robert Oppenheimer, Richard Feynman, Niels Bohr, and Rita Levi-Montalcini, as well as currently active laboratory directors, scientists, and engineers.

In addition to examining successful presentations, Alley also discusses the errors that cause many sci



THE CRAFT OF SCIENTIFIC PRESENTATIONS provides a score of examples from contemporary and historical scientific presentations to show clearly what makes an oral presentation effective. It considers presentations made to persuade an audience to adopt some course of action (such as funding a proposal) as well as presentations made to communicate information, and it considers these from four perspectives: speech, structure, visual aids, and delivery. In keeping with technological innovations, it discusses computer-based projections and slide shows as well as overhead projections. In particular, it discusses ways of organizing graphics and text in projected images and of using layout and design to present the information efficiently and effectively.

Unlike other books that discuss technical presentations, this book anchors its advice in the experiences of scientists and engineers, including such successful presenters as Robert Oppenheimer, Richard Feynman, Niels Bohr, and Rita Levi-Montalcini, as well as currently active laboratory directors, scientists, and engineers.

In addition to examining successful presentations, Alley also discusses the errors that cause many sci
Content:
Front Matter....Pages i-xv
Introduction....Pages 1-11
Speech: The Words You Say....Pages 13-53
Structure: The Strategy You Choose....Pages 55-91
Visual Aids: Your Supporting Cast....Pages 93-164
Delivery: You, the Room, and the Audience....Pages 165-204
Conclusion....Pages 205-207
Back Matter....Pages 209-241



THE CRAFT OF SCIENTIFIC PRESENTATIONS provides a score of examples from contemporary and historical scientific presentations to show clearly what makes an oral presentation effective. It considers presentations made to persuade an audience to adopt some course of action (such as funding a proposal) as well as presentations made to communicate information, and it considers these from four perspectives: speech, structure, visual aids, and delivery. In keeping with technological innovations, it discusses computer-based projections and slide shows as well as overhead projections. In particular, it discusses ways of organizing graphics and text in projected images and of using layout and design to present the information efficiently and effectively.

Unlike other books that discuss technical presentations, this book anchors its advice in the experiences of scientists and engineers, including such successful presenters as Robert Oppenheimer, Richard Feynman, Niels Bohr, and Rita Levi-Montalcini, as well as currently active laboratory directors, scientists, and engineers.

In addition to examining successful presentations, Alley also discusses the errors that cause many sci
Content:
Front Matter....Pages i-xv
Introduction....Pages 1-11
Speech: The Words You Say....Pages 13-53
Structure: The Strategy You Choose....Pages 55-91
Visual Aids: Your Supporting Cast....Pages 93-164
Delivery: You, the Room, and the Audience....Pages 165-204
Conclusion....Pages 205-207
Back Matter....Pages 209-241
....

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