Ebook: Counterpoint, Composition and Musica Ficta

Musica recta and musica ficta -- Pycard's credo no. 76 -- Renaissance counterpoint and musica ficta -- Diatonic ficta -- Accidentals, counterpoint, and notation in Aaron's Aggiunta to the Toscanello in musica -- Diatonic ficta revisited: Josquin's Ave Maria in context -- Editing early music: the dilemma of translation -- Some factors in the control of consonance and sonority: successive composition and the Solus tenor -- Pycard's double canon: evidence of revision? -- Text setting in sacred music of the early 15th century: evidence and implications -- Resfacta and Cantare Super Librum