Ebook: Lost in the Funhouse

From renowned journalist Bill Zehme, author of the "New York Times" bestselling The Way You Wear Your Hat: Frank Sinatra and the Lost Art of Livin', comes the first full-fledgedbiography and the only complete story of the late comic genius Andy Kaufman. Based on six years of research, Andy's own unpublished, never-before-seen writings, and hundreds of interviews with family members, friends, andkey players in Andy's endless charades, many of whom have become icons in their own right, Lost in the Funhouse takes us through the maze of Kaufman's mind and lets us sit deep behind his mad, dazzlingblue eyes to see, firsthand, the fanciful landscape that was his life. Controversial, chaotic, splendidly surreal, and tragically brief--what a life it was. Andy Kaufman was often amystery even to his closest friends. Remote, aloof, impossible to know, his internal world was a kaleidoscope of characters fighting for time on the outside. He was as much Andy Kaufman as he was Foreign Man (dank youveddy much), who became the lovably bashful Latka on the hit TV series "Taxi." He was as much Elvis Presley as he was the repugnant Tony Clifton, a lounge singer from Vegas who hated any audience that cameto see him and who seemed to hate Andy Kaufman even more. He was a contradiction, a paradox on every level, an artist in every sense of the word. During the comic boom of the seventies, when the worldhad begun to discover the prodigious talents of Steve Martin, Richard Pryor, John Belushi, Bill Murray, and so many others, Andy was simply doing what he had always done in his boyhood reveries. On the debut of"Saturday Night Live, " he stood nervously next to a phonograph that scratchily played the theme from Mighty Mouse. He fussed and fidgeted, waiting for his moment. When it came, he raised his hand and movedhis mouth to the words "Here I come to save the day " In that beautiful deliverance of pantomime before the millions of people for whom he had always dreamed about performing, Andy triumphed. He changedthe face of comedy forever by lurching across boundaries that no one knew existed. He was the boy who made life his playground and never stopped playing, even when the games proved too dangerous forothers. And in the end he would play alone, just as he had when it was all only beginning. In Lost in the Funhouse, Bill Zehme sorts through a life of disinformationput forth by a master of deception to uncover the motivation behind the manipulation. Magically entertaining, it is a singular biography matched only by its singular subject. "From theHardcover edition."