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02.03.2024
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The first anthology to explore the field of animated documentaries from a diverse range of scholarly and practice-based perspectives

Documentary cinema has always drawn from real life, but an increasing number of contemporary filmmakers are going further still, drawing onscreen images of reality through a range of animated filmmaking techniques. Drawn from Life is the first book to explore the field of animated documentaries from a diverse range of scholarly and practice-based perspectives, exploring and proposing answers to a range of questions that preoccupy twenty-first-century film artists and audiences alike:

  • Why use animation to document?
  • How do such images reflect and influence our understanding and experience of reality, whether public or private, psychological or political?

From early cinema to present-day scientific research, military uses, digital art and gaming, this book casts new light on the capacity of the moving image to act as a record of the world around us, challenging the orthodox definitions of documentary cinema.

Key Features
  • Defines the central characteristics of the animated documentary film
  • Challenges and extends orthodox definitions of documentary cinema as well as animation
  • Surveys a diverse range of film works, genres, production techniques, historical eras and cultural contexts
Contributors
  • Nea Ehrlich, Ben Gurion University of the Negev
  • Leon Gurevitch, University of Wellington.
  • Jonathan Hodgson, Middlesex University
  • Nanette Kraaikamp, Drawing Centre Diepenheim
  • Pascal Lefèvre, LUCA School of Arts
  • Lawrence Thomas Martinelli, University of Pisa
  • Mihaela Mihailova, University of Michigan.
  • Samantha Moore, University of Wolverhampton
  • Jonathan Murray, Edinburgh College of Art, University of Edinburgh
  • Sheila M. Sofian, University of Southern California.
  • Paul Ward, University Bournemouth
  • Andrew Warstat, Manchester School of Art, Manchester Metropolitan University
  • Paul Wells, Loughborough University
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