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Under the name satura, this volume examines a "monstrous" text tradition characterized by mixed forms and intertextual hypertrophy. In studies on authors like Lucilius, Varro, Horace, Petronius, Hamann, and Jean Paul, Sina Dell’Anno takes a new perspective on this tradition by focusing her attention on the notorious formlessness of satirical texts as the engine of her autophilological poetics.

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