Ebook: Dancefloor-Driven Literature: The Rave Scene in Fiction

Almost as soon as “club culture” took hold – during the UK’s Second Summer of Love in 1988 – its socio-political impact became clear, with journalists, filmmakers, and authors all keen to use this cultural context as source material for their texts. This book uses that electronic music subculture as a route into an analysis of these cultural representations of a music scene: both why such artefacts appear and what function they serve.
The book conceives of a new literary genre to accommodate these stories born of the dancefloor – “Dancefloor-Driven Literature.” Using interviews with Irvine Welsh, author of Trainspotting (1994), alongside other Dancefloor-Driven authors Nicholas Blincoe and Jeff Noon as case studies, the book analyzes three separate ways writers draw on electronic music in their fictions, interrogating that very particular intermedial intersection between the sonic and the linguistic. It explores how such authors write about something so subterranean as the nightclub scene, and analyses what specifically literary techniques they deploy to write lucidly and fluidly about the metronomic beat of electronic music, and the chemical accelerant that further alters that relationship