Ebook: Janelle Monáe's Queer Afrofuturism: Defying Every Label
Author: Dan Hassler-Forest
- Series: Global Media and Race
- Year: 2022
- Publisher: Rutgers University Press
- City: New Brunswick, NJ
- Edition: 1
- Language: English
- pdf
Singer. Dancer. Movie star. Activist. Queer icon. Afrofuturist. Working class heroine. Time traveler. Prophet. Feminist. Android. Dirty Computer.
Janelle Monáe is all these things and more, making her one of the most fascinating artists to emerge in the twenty-first century. This provocative new study explores how Monáe’s work has connected different media platforms to strengthen and enhance new movements in art, theory, and politics. It considers not only Monáe’s groundbreaking albumsThe ArchAndroid,The Electric Lady, andDirty Computer, but also Monáe’s work as an actress in such films asHidden FiguresandAntebellum, as well as her soundtrack appearances in socially-engaged projects ranging fromI May Destroy YoutoUs. Examining Monáe as a cultural icon whose work is profoundly intersectional, this book maps how she is actively reshaping discourses around race, gender, sexuality, and capitalism. Tracing Monáe’s performances of joy, desire, pain, and hope across a wide range of media forms, it shows how she imagines Afrofuturist, posthumanist, and postcapitalist utopias, while remaining grounded in the realities of being a Black woman in a white-dominated industry. This is an exciting introduction to an audacious innovator whose work offers us fresh ways to talk about identity, desire, and power.
Janelle Monáe is all these things and more, making her one of the most fascinating artists to emerge in the twenty-first century. This provocative new study explores how Monáe’s work has connected different media platforms to strengthen and enhance new movements in art, theory, and politics. It considers not only Monáe’s groundbreaking albumsThe ArchAndroid,The Electric Lady, andDirty Computer, but also Monáe’s work as an actress in such films asHidden FiguresandAntebellum, as well as her soundtrack appearances in socially-engaged projects ranging fromI May Destroy YoutoUs. Examining Monáe as a cultural icon whose work is profoundly intersectional, this book maps how she is actively reshaping discourses around race, gender, sexuality, and capitalism. Tracing Monáe’s performances of joy, desire, pain, and hope across a wide range of media forms, it shows how she imagines Afrofuturist, posthumanist, and postcapitalist utopias, while remaining grounded in the realities of being a Black woman in a white-dominated industry. This is an exciting introduction to an audacious innovator whose work offers us fresh ways to talk about identity, desire, and power.
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