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15.02.2024
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"Crime and Racial Constructions: Cultural Misinformation about African Americans in Media and Academia focuses on how film-images of dangerous, hedonistic blacks have assumed greater significance since blacks protested racial injustice during the civil rights and black power movements of the 1960s and 1970s. Jeanette Covington reviews a number of films that have been released from the 1970s through the present in which black males are depicted as violent and threatening and likewise considers how these same films represent black females as prostitutes; drug addicts; and irresponsible, abusive mothers, who spawn violence in their children. Because these on-screen images of a violent, apolitical, and immoral black underclass find their way into the criminological literature, she also takes a look at: how criminologists use these images to link crime to underclass culture.

Both Hollywood-and criminologists alike manage to ignore how black activism during the 1960s social movements actually sparked black opposition to the kind of black-on-black crime that is routinely depicted on-screen: By taking a critical look at these negative images, Crime and Racial Constructions seeks to correct some of the distortions that arise from the undue academic and cinematic focus on black criminals at the expense of racially conscious blacks."
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