FROM THE PULITZER PRIZE-WINNING AND MAN BOOKER-SHORTLISTED AUTHOR
'Hisham Matar has the quality all historians - of the world and the self - most need: he knows how to stand back and let the past speak' Hilary Mantel
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Shortly after completing his searing work of non-fiction, The Return, Hisham Matar set off for Siena, a city he had never visited before. His plan was to see the paintings of the Sienese school, to immerse himself in the work of artists he admired perhaps above all others.
This month in Siena would be an extraordinary period in the life of this writer: an immersion in art, a consideration of grief and violence, an intimate encounter with the city and its inhabitants. Hisham Matar's short book is the story of how art can console and disturb in equal measure. It is a profoundly moving contemplation of the relationship between art and the human condition.
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'Wise and agonizing and thrilling to read' Zadie Smith
'A moving, unfliching memoir' Kazuo Ishiguro
'A treasure for the ages' Peter Carey
'It is likely to become a classic' Colm Tóibín
'Hisham Matar has the quality all historians - of the world and the self - most need: he knows how to stand back and let the past speak' Hilary Mantel
____________________________________
Shortly after completing his searing work of non-fiction, The Return, Hisham Matar set off for Siena, a city he had never visited before. His plan was to see the paintings of the Sienese school, to immerse himself in the work of artists he admired perhaps above all others.
This month in Siena would be an extraordinary period in the life of this writer: an immersion in art, a consideration of grief and violence, an intimate encounter with the city and its inhabitants. Hisham Matar's short book is the story of how art can console and disturb in equal measure. It is a profoundly moving contemplation of the relationship between art and the human condition.
____________________________________
'Wise and agonizing and thrilling to read' Zadie Smith
'A moving, unfliching memoir' Kazuo Ishiguro
'A treasure for the ages' Peter Carey
'It is likely to become a classic' Colm Tóibín
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