Ebook: Fantastic Science-Fiction Art 1926-1954

Fantastic Science-Fiction Art 1926-1954  
Series: Fantastic Science-Fiction Art

By: Lester Del Rey

Cover Art: Frank R. Paul


ISBN 10: 0345247310
ISBN 13: 9780345247315
SBN: 345247310595
ISFDB Publication Record #  243073
Canadian National Catalogue (AMICUS) Number: 627776
OCLC Number: 1993636
OCoLC: 707577469
Library of Congress Catalogue Card Number:  75333115
Publisher: Ballantine Books, a Division of Random House (1975)


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Introduction by Lester del Rey

The title 'Fantastic Science-Fiction Art: 1926-1954' should tell you what's inside the covers. Writer Lester Del Rey, in an extended introduction, tells you a little of the history of the early SF American pulp magazines but focuses on the cover artists who encouraged the sales. Del Rey points out that unlike other magazine covers, there was no template for SF mags and the artists had to find their own way as to what became the key selling points beyond being a little, shall we say, fantastic.

Initial artists like Frank R. Paul relied far more on technology but when you consider that he works for Hugo Gernsback that shouldn't be surprising. This book is a sampling of the art from not only Frank R. Paul, but also the likes of Leo Morey, Earle K. Bergey, Robert Fuqua, Howard V. Brown, Hubert Rogers and, of course, Frank Kelly Freas. del Rey points out that with only three colour plates and not even a separate black, often the covers looked a little washy. As the covers paintings here are shown on the actual covers, including the odd wear and tear, although that's mostly the odd wrinkle, you're actually seeing a bit of history.

Back in 1975, books such as this followed a particular formula with art on the right page and the credit on the left page and a lot of wasted space which could have been used for more pictures. However, the pictures are of a respectable size and one to page so less distraction. If you have a liking for early SF cover art then adding one of these books to your collection isn't a bad idea, even if it's only for the Kelly Freas' famous covers of the robot with the bleeding human in its hands or the green alien looking through the keyhole as they were in print.