Ebook: Afro-Cuban Jazz

Afro-Cuban Jazz and Latin music in general seem to be everywhere these days. No longer thought of as a stepchild or an oddity, Afro-Cuban Jazz 1s ever so gradually being accepted by the mainstream jazz world. Most modern jazz musicians utilize Latin rhythms now and then, at least as spice in their performances. It is difficult for any contemporary musician to neglect the potential of those Cuban polyrhythms, even when performing music without a percussionist.

The increase in the number of Spanish-speaking people in the United States has had a strong effect on pop, rock, dance music, and other current styles, not just in the use of Spanish vocals but in the rich melodies and rhythms that have been imported. A glance at the pop charts makes it obvious that the growing number of Latin artists (compared to 20 or 30 years ago) has made a major impact.

The death of Tito Puente in recent times made major headlines, for he was the most famous living Afro-Cuban Jazz artist. But unlike many in other idioms who survive to a reasonable age, there is nothing nostalgic or dated about Puente’s later recordings. While jazz in general rushed ahead during the 1915-75 period, constantly discarding the old in favor of the new, Afro-Cuban Jazz has developed at a slower pace since it exploded in 1947, and its traditions remain very much a part of even the most modern artists. Veterans who play in the style of the 1940s (think of pianist Ruben Gonzalez) or the earlier folkloric idiom are recognized as contributing to the modern literature and considered relevant to the music’s present and future.

Afro-Cuban Jazz has gradually modernized through the years, having a parallel development to mainstream jazz. Whether it be post-bop saxophone solos that reflect the influence of John Coltrane and beyond, electronic keyboards, funkier rhythms, or a remarkable rise in the technical prowess of the players, Afro-Cuban Jazz has adjusted, held on to its roots in the clavé rhythm, and given listeners the feeling of being part of an extended joyous family.

This book is full of the names of the music’s great innovators and practitioners of the 20th century, and so many are currently active. There are also many others, in the early stages of their careers, who will be in similar books in the future. The excitement, danceability, and sheer fun of this dynamic music guarantees that Afro-Cuban Jazz will always be a major part of the American and world music scene.