Ebook: How to draw a rhinoceros: poems

A natural history of the rhinoceros -- How to draw a rhinoceros -- Dürer's rhinoceros -- Elephant v. rhinoceros -- According to the apothecary -- Rhinoceros odyssey -- Magrath the giant and the rhinoceros -- The wild beast men -- Transactions of the London Zoological Society's menagerie, 1834-1875 -- O'brien's four shows -- Great family of giants -- By any other name -- The fun of hunting them -- Officials said -- Going, going, gone -- Conservation -- Clara's favourite tipple -- Clara incognito -- Clara the collector -- Clara delights in her status as muse -- Clara inspires the scribes -- Clara canary girl -- Clara is ready for her close-upclara joins the secretarial pool -- Clara goes to law school -- Clara in space.;"How to Draw a Rhinoceros, the first book of poems by Canadian writer, scholar, and lawyer Kate Sutherland, mines centuries of rhinoceros representations in art and literature to document the history of European and North American encounters with the animal-from the elephant-rhinoceros battles staged by monarchs in the Middle Ages; the rhinomania that took hold in France and later in Italy in response to the European travels of Clara the 'Dutch' Rhinoceros in the mid-1700s; the menageries and circuses of the Victorian era; the exploits of celebrated twentieth-century hunters like Teddy Roosevelt and Ernest Hemingway; and the trade in rhinoceros horn artefacts that thrives online today. Along the way, it explores themes of colonialism, animal welfare, and conservation. Sutherland was inspired on this poetic path by Clara, an eighteenth-century rhinoceros she first encountered in porcelain form in an exhibit of ceramic animals at Toronto's Gardiner Museum. This chance experience set her off on a grand quest to learn all she could of Clara's story, and resulted in a collection that combines Robert Kroetschian documentary poetics with the meticulous research and environmental passion of Elizabeth Kolbert, to successfully examine the centuries-long path of the rhinoceros that's brought it to the brink of global extinction. Readers of contemporary poetry, as well as those audiences interested in natural history, animal welfare, and conservation, and people who have followed Sutherland's scholarly and literary careers (and their intersections in her most recent academic work that focuses on law and poetry), will relish the rich detail and odd tales of historical rhinoceroses and the people who have kept, shown, and traded in them, as depicted using a range of poetic techniques that only a critical eye like Sutherland's could deliver."--