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Cover; Contents; Acknowledgements; 1. Contexts; 'What's Hecuba to him, or he to Hecuba?'; What's Hecuba to us?; Athens in 415; Tragedy in 415; Melos in 416; 2. The Play; The gods; Hekabe; The chorus; Talthybios; Kassandra; Andromache; Helen; Astyanax; 3. Twentieth-century Receptions; Jean-Paul Sartre, Les Troyennes; Michael Cacoyannis, Trojan Women; Andrei Serban, Fragments of a Greek Trilogy, and Tadashi Suzuki, Trojan Women; Tony Harrison, Common Chorus II; Brendan Kennelly, The Trojan Women; Charles Mee, The Trojan Women 2.0: a love story.;Set at the end of the Trojan war, ""Euripides' Trojan Women"" depicts the women of Troy as they wait to be taken into slavery. While choral songs recall the death-throes of the great city, the scenes between the old queen, Hekabe, and the women of her family explore the consequences of the defeat, from the rape of Cassandra, through the triumphant self-exculpation of Helen, to the pitiful death of the child Astyanax, who is thrown from the walls of his ravaged city. Barbara Goff sets the play in its historical, dramatic and literary contexts, and provides a scene-by-scene analysis which brings.
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