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This title recounts the history of para-cinema - the long tradition within the avant garde of adapting the tools, technologies, and techniques of conventionalfilm-making. Levi's study considers works by filmmakers, artists, and theorists from France, Italy, the Soviet Union, Germany, Hungary, and Yugoslavia.;Film, or the vibrancy of matter -- On re-materialization of the cinematographic apparatus -- Written films -- Notes around general cinefication -- Whither the imaginary signifier? -- The "between" of cinema.
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