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06.02.2024
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First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.;Book Cover -- Half-Title -- Title -- Copyright -- contents -- introduction to the series -- acknowledgments -- 0 one or two final thoughts (a retrospective preface) -- 1 marinetti, boccioni and electroacoustic poetry futurism and after -- 2 the limits of intertextuality barthes, burroughs, gysin, culler -- 3 postmodernity, métaphore manquée, and the myth of the trans-avant-garde -- 4 baudrillard's amérique and the "abyss of modernity" -- 5 jameson's complaint video art and the intertextual "time-wall" -- 6 postmodernism and the multimedia sensibility heiner müller's hamletmachine and the art of robert wilson -- 7 baudrillard, modernism, and postmodernism -- 8 "apocalyptic"? "negative"? "pessimistic"? baudrillard, virilio, and technoculture -- 9 baudrillard, giorno, viola and the technologies of radical illusion -- 10 zurbrugg's complaint, or how an artist came to criticize a critic's criticism of the critics -- I -- II -- III -- IV -- V -- notes -- sources -- index.
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