Ebook: Ernesto: the untold story of Hemingway in revolutionary Cuba
Author: Feldman Andrew, Hemingway Ernest
- Tags: Americans, Americans--Cuba, Authors American, Authors American--20th century, Homes, Novelists American, Novelists American--20th century, Biographies, Hemingway Ernest -- 1899-1961, Hemingway Ernest -- 1899-1961 -- Homes and haunts -- Cuba, Hemingway Ernest -- 1899-1961 -- Knowledge -- Cuba, Novelists American -- 20th century -- Biography, Americans -- Cuba -- Biography, Authors American -- 20th century -- Biography, Cuba, Hemingway Ernest -- 1899-1961, Kuba
- Year: 2019
- Publisher: Melville House
- City: Cuba;Kuba
- Language: English
- epub
From the first North American scholar permitted to study in residence at Hemingway's beloved Cuban home comes a radically new understanding of "Papa's" life in Cuba
Ernest Hemingway first landed in Cuba in 1928. In some ways he never left. After a decade of visiting regularly, he settled near Cojímar—a tiny fishing village east of Havana—and came to think of himself as Cuban. His daily life among the common people there taught him surprising lessons, and inspired the novel that would rescue his declining career. That book, The Old Man and the Sea, won him a Pulitzer and, one year later, a Nobel Prize. In a rare gesture of humility, Hemingway announced to the press that he accepted the coveted Nobel "as a citizen of Cojímar."
In Ernesto, Andrew Feldman uses his unprecedented access to newly available archives to tell the full story of Hemingway's self-professed Cuban-ness: his respect for Cojímar...
Ernest Hemingway first landed in Cuba in 1928. In some ways he never left. After a decade of visiting regularly, he settled near Cojímar—a tiny fishing village east of Havana—and came to think of himself as Cuban. His daily life among the common people there taught him surprising lessons, and inspired the novel that would rescue his declining career. That book, The Old Man and the Sea, won him a Pulitzer and, one year later, a Nobel Prize. In a rare gesture of humility, Hemingway announced to the press that he accepted the coveted Nobel "as a citizen of Cojímar."
In Ernesto, Andrew Feldman uses his unprecedented access to newly available archives to tell the full story of Hemingway's self-professed Cuban-ness: his respect for Cojímar...
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