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Introduction / Jinhee Choi -- Branding Ozu. Watch again! Look well! Look! / David Bordwell -- Ozu, the ineffable / Darrell W. Davis -- Ozu to Asia via Hasumi / Aaron Gerow -- A dialogue with "memory" in Hou Hsiao-hsien's Café Lumière / Mitsuyo Wada-Marciano -- Ozuesque as a sensibility: or, on the notion of influence / Jinhee Choi -- Historicizing Ozu. A new form of silent cinema: intertitles and interlocution in Ozu Yasujiro's late silent films / Michael Raine -- Ozu and the aesthetics of shadow: lighting and cinematography in There was a father (1942) / Daisuke Miyao -- Modernity, shoshimin films and the proletarian-film movement: Ozu in dialogue with Vertov / Yuki Takinami -- Laughing in the shadows of empire: humor in Ozu's Brothers and sisters of the Toda family (1941) / Junji Yoshida -- Tracing Ozu. Autumn afternoons: negotiating the ghost of Ozu in Iguchi Nami's Dogs and cats (2004) / Adam Bingham -- Playing the holes: notes on the Ozuesque gag / Manuel Garin and Albert Elduque -- Rhythm, texture, moods: Ozu Yasujiro, Claire Denis, and a vision of a postcolonial aesthetic / Kate Taylor-Jones -- Wenders travels with Ozu / Mark Betz -- Look? Optical/sound situations and interpretation: Ozu---(Deleuze)---Kiarostami / David Deamer -- Sparse or slow: Ozu and Joanna Hogg / William Brown.
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