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Introduction: little magazines: modernism in miniature? -- Textual investments and publishing fields -- Networks of difference: Rhythm and the avant-garde, 1911-1912 -- "Cette belle allure independante": trandition, France, and the Fantaisistes -- "The type of people one can't stand": Murry, Mansfield, modernism -- Being graphic: post-Impressionism, reproduction, and the Rhythmists -- Sailing the "Blue sieve": Rhythm, the Blue review, and the Georgians -- In conclusion: afterlives and the Signature.;This is a re-examination of the fertile years of early modernism immediately preceding World War I, when how, where and under whose terms the avant-garde in Britain should be constructed and consumed were still very much to play for.
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