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Introduction ; Patrick M. Bray, The Ohio State University, USA Part I ; Conceptualizing Rancière ; 1. Mallarmé, politique de la sirène ; Bruno Bosteels, Cornell University, USA ; 2. 'The Democratic Torrent': Politics of the Social in Rancière's Hatred of Democracy ; Emily Apter, New York University, USA ; 3. Écarts du cinéma ; Tom Conley, Harvard University, USA ; 4. Film Fables ; Margaret Flinn, The Ohio State University, USA ; 5. Proletarian Nights ; Bettina Lerner, City College CUNY, USA ; 6. The Ignorant Schoolmaster ; Leon Sachs, University of Kentucky, USA ; 7. The Emancipated Spectator ; Cary Hollinshead-Strick, American University of Paris, France ; 8. Silent Speech ; Giuseppina Mecchia, University of Pittsburgh, USA Part II ; Rancière and Aesthetics ; 9. Staging a conversation between Rancière and feminist theory ; Tina Chanter, Kingston University London, UK ; 10. Reassessing Rancière and Video Art ; Tim Murray, Cornell University, USA ; 11. Rancière and Proust ; Suzanne Guerlac, University of California, Berkeley ; 12. Rancière's critique of modernism ; Alison Ross, Monash University, Australia ; 13. Laboring Arms and the Floating Gaze: Rancière's New Sensorium ; Marina Van Zuylen, Bard College, USA ; 14. Rancière and Latin American Modernism ; Silvia López, Carleton College, USA ; 15. Rancière and Virginia Woolf ; Ewa Ziarek, SUNY Buffalo, USA ; 16. On Rancière's Opposition of Politics and Police: Meaning and Consequences ; Étienne Balibar, Columbia University, USA, and Université de Paris-Ouest Nanterre, France Part III ; Glossary of Key Terms ; Index.
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