Ebook: Imaging the Great Irish Famine: representing dispossession in visual culture
Author: Kelly Niamh Ann
- Tags: Arts and society, Arts and society--Ireland--History, Emigration and immigration, Famines, Famines in art, Famines in mass media, Famines--Ireland--19th century, Memorialization, Memorialization--Ireland, Social conditions, Electronic books, Art, Conference publication, History, Famines -- Ireland -- 19th century, Famines -- Ireland -- 19th century -- In art, Arts and society -- Ireland -- History, Memorialization -- Ireland, Ireland -- History -- Famine 1845-1852, Ireland -- Emigration and immigration -- History
- Series: International library of visual culture 25
- Year: 2019
- Publisher: I.B. Tauris & Co. Ltd
- City: Ireland
- Edition: First edition
- Language: English
- pdf
The Great Irish Famine: Dispossessionand specatorship -- Figuration and the site of famine -- Leaving the famine: The spectacle of migration -- Sites of memory and the others of history -- After-images: Temporary commemorative exhibitions on the famine -- Grief, graves and signs of the dead -- Beautiful places: Commemorative tourism and grievous history -- Imaging the Great Irish Famine.;The depiction of historical humanitarian disasters in art exhibitions, news reports, monuments and heritage landscapes has framed the harrowing images we currently associate with dispossession. People across the world are driven out of their homes and countries on a wave of conflict, poverty and famine, and our main sites for engaging with their loss are visual news and social media. In a reappraisal of the viewer's role in representations of displacement, Niamh Ann Kelly examines a wide range of commemorative visual culture from the mid-nineteenth-century Great Irish Famine. Her analysis of memorial images, objects and locations from that period until the early twenty-first century shows how artefacts of historical trauma can affect understandings of enforced migrations as an ongoing form of political violence. This book will be of interest to students and researchers of museum and heritage studies, material culture, Irish history and contemporary visual cultures exploring dispossession.
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