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Introduction -- Part One. National Beginnings and Modernist Fears -- Part Two. Modern Memory Objects: Social Histories of the Photograph -- Part Three. Photography and the Acceleration of Modernity: Reality-Commodity-Violence -- Part Four. Critiques of Modernity: Stillness, Motion, and the Ethics of Seeing -- Part Five. Documents and Experiences.;Stillness in Motion brings together the writing of scholars, theorists, and artists on the uneasy relationship between Italian culture and photography.
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