Online Library TheLib.net » Art and Identity in Thirteenth-Century Byzantium: Hagia Sophia and the Empire of Trebizond
"Antony Eastmond examines the architectural, sculptural and painted decorations of the church, placing them in the context of contemporary developments elsewhere in the Byzantine world, in Seljuq Anatolia and among the Caucasian neighbours of Trebizond. Knowledge of this area has been transformed in the last twenty years, following the collapse of the Soviet Union. The new evidence that has emerged enables a radically different interpretation of the church to be reached, and raises questions about cultural interchange on the borders of the Christian and Muslim worlds of eastern Anatolia, the Caucasus and Persia."--Jacket.
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