Ebook: Level 3: Shiksha. Vol. 03
Author: Samskrit Through Correspondence.
- Genre: Linguistics // Foreign
- Tags: Языки и языкознание, Санскрит, Samskrit Through Correspondence
- Language: Sanskrit-English
- pdf
Samskrita Bharati, 2010. — 16 p.Samskrita Bharati’s Distance Learning Program (DLP) is a unique opportunity to learn Samskritam at your own pace, at your own place! It consists of simple and interesting lessons. Lessons include stories, puzzles, and glimpses of Samskritam literature along with an innovative method of language learning. No prior knowledge of Samskritam is assumed, so teaching starts with the basics. After successful completion of four levels, you will be able to understand shlokaas from original texts like Bhagavad Gita or Ramayana all by yourself!
There are four levels in Samskrita Bharati's DLP: Pravesha, Parichaya, Shiksha and Kovida. Each level consists of 10 booklets.Number of levels: Four - Pravesha, Parichaya, Shiksha, Kovida (Entry level to advanced level through four levels)
Duration of each level: Six months (assuming one spends 15 minutes per day)Shiksha
Shiiksha broadly covers the following topics:
Present Participles (shatru) their use and syntax in all Cases
Sandhi ( advance study continued)
Present Participles of Atmanei pada (Middle voice)
Present Passive Participles (Shaanch) their use and syntax in all cases (declensions)
Use of absolutives (Sati saptami)
Detail rules of anvaya or process of rearranging a shloka for verse meaning
Excerpts from Bhagavag Giita, and other famous Samskirtam literature
There are four levels in Samskrita Bharati's DLP: Pravesha, Parichaya, Shiksha and Kovida. Each level consists of 10 booklets.Number of levels: Four - Pravesha, Parichaya, Shiksha, Kovida (Entry level to advanced level through four levels)
Duration of each level: Six months (assuming one spends 15 minutes per day)Shiksha
Shiiksha broadly covers the following topics:
Present Participles (shatru) their use and syntax in all Cases
Sandhi ( advance study continued)
Present Participles of Atmanei pada (Middle voice)
Present Passive Participles (Shaanch) their use and syntax in all cases (declensions)
Use of absolutives (Sati saptami)
Detail rules of anvaya or process of rearranging a shloka for verse meaning
Excerpts from Bhagavag Giita, and other famous Samskirtam literature
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