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Johann Valentin Andrere (1586-1654) was a multi-faceted product of late­ Reformation Germany. A theologian who was firmly committed to the Lutheran confession, he could yet see very c1early the flaws in his church and argue for their reform; without being an ecumenicist in the modern sense, he yet admired many aspects of the society he observed in Calvinist Geneva, and he recognised the outstanding merit of individual Catholic scholars. A linguist and a lover of art and music, he was the friend of scientists and an enthusiastic student of mathematics whö held that science leads both to an appreciation of the wonders of the material world and its rejection in favour of more spiritual concerns. In his satirical writing he could be ironic and flippant, his rhetoric was often laboured and over­ elaborate, but there is no mistaking the sincerity of his outrage at cruelty, inhumanity and injustice. Andrere was optimistic, in that he believed that the corruption and deceit, the luxm. y and deprivation, the hypocrisy, tyranny and sophistry of the age could be transformed in a second reformation; yet there runs through his life a deep-rooted pessimism or depression which makes his willingness to continue the struggle all the more admirable. As early as 1618, while still a young deacon at the beginning of his career, he defined the four ages of l human life as terror, error, labor and horror.




The Christianopolis (1619) of Johann Valentin Andreae describes in great detail a utopian community of scholar-craftsmen, as seen through the eyes of a naïve young traveller. It is a multi-level text, carefully constructed to provide both entertainment and a critique of contemporary society and religion, which could also be read as the prospectus for the establishment of a new community.
This new translation aims to clarify Andreae's elliptical Latin for the first time by identifying parallel passages, allusions and sources for his ideas, and by linking Christianopolis with Andreae's other work as satirist, dramatist, poet and mathematician. A new model of his revision of ideas drawn from Campanella is put forward, and the politico-economic principles embodied in the text are explored. The translation should be of interest to students of the history of utopian ideas, and the history of economic thought.
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